Michał Janocha
Author of over eighty pieces of chamber, symphonic and electroacoustic music, six sound installations and music for over twenty films.
His compositions have been performed so far in Europe and the USA, including festivals:
Audio Art Festival, CAFe Budapest Contemporary Arts Festival, CIME 38th Festival, Warsaw Autumn, Poznań Spring Music, Átlátszó Hang New Music Festival, Earth Day Art Model, MDF Festival MUSIC.DESIGN.FORM, Young Composers Meeting 25th, Festival De Música I Vuelta al Mundo, Sound Art Festival.
He worked with: Poznań Philharmonic, Philharmonic in Szczecin, Rybnik Philharmonic, Orkest de Ereprijs, E-MEX Ensemble, Trans-for-Matha Ensemble, λ-ensemble, Liebchen–Kwiatkowska–Pałosz Trio, Polish Violin Duo and many others.
As a conductor, he has performed (and recorded) dozens of classical and new music pieces. He permanently cooperates with the Poznań Laptop Orchestra λ-ensemble and the Trans-for-Matha Ensemble, of which he is a co-founder.
Member of the Electroacoustic Music Studio in Poznań Academy of Music (SMEAMuz Poznań), member of Polish Society for Electroacoustic Music, member of Polish Composers’ Union.
Important works:
Warianty zdarzeń (2021) for chamber orchestra
Tactile thresholds (2021) for laptop orchestra
POLSKA 2020 (2021) interactive audio-video
Jest na to czas i miejsce (2020) interactive video-opera
Rearrangeable (2020) for ensemble and interactive spatialisation
Mikstury skontrastowane (2020) for violin or viola solo
Benign M. (2020) for trio and stereo tape
Koncert (2019) for chamber orchestra and surround live electronics
Spatial counterpoint (2019) for 8-channel tape
Słyszę, że patrzysz (2019) multimedia spectacle
Five roots (2019) for smartphones and live electronics
Nu (2019) for alto saxophone and live electronics
Hùndùn (2019) for percussion and live electronics
Myśl syntetyczna (2019) for two mezzo-sopranos, tenor, baritone, surround live electronics and orchestra
Skry (2018) for tupa, conductor and leap motion
Uwertura (2018) for orchestra and stereo tape
Hippocampbreak (2018) for bass string instrument and live electronics
6w1 (2018) for bass trombone, trombone sextet and live electronics
The blue oranges (2018) for extended piano and orchestra
Loosing (2018) for accordion and stereo tape
THE MARK (2018) interactive installation
Pneuma (2017) for bass flute, double bass and live electronics
Pensiero sospeso (2016) for orchestra
Four of me for off me (2016) for four cellos and orchestra
